Selected Work
Cedar, Steel, and Salt Air
Cantilevered Over Granite Shoreline
A building shaped entirely by its relationship to the site.
Late afternoon side light. The cantilever reads as a shadow line against the rock.
One-point perspective. The corridor pulls you through to the Pacific.
Overcast sky softening everything. The fireplace floating, the firs framed, the water audible.
Blue hour. Fire pit on granite, interior glowing warm. The shot that justifies staying late.
Corrugated Steel Against Tidal Forest
The material palette was selected to converge with the site over time, not resist it.
Entry compression. Dark steel overhead, then the eye releases straight through to green.
Golden hour through the canopy. Steel, cedar, glass converging at the corner.
Last warm light on the Japanese maple. Concrete holding back the hillside.Sustainable Architecture at Its Most Ambitious
Bold form and purposeful material choices against Whistler's dramatic mountain backdrop.
Stone pilaster catching dappled light through the evergreens. The building already belongs.
Rear elevation through young birch. The full scale of the facade reads at this distance.
Straight down. Solar array, garden clearing, canopy edge. Performance visible from above.I don't photograph buildings. I photograph the decisions that shaped them — why this cladding, why that angle on the slope, why the window meets the horizon exactly where it does. The architect spent months getting it right. The photography should make that obvious in a single frame.
Dark Timber, Shifting Light
Blackened Timber, Autumn Larch
In autumn, surrounding larch turns gold and reveals the full silhouette without intervention.
Winter entry. Cedar soffit framing the mountains, concrete path cutting through snow.
The telescope says everything. The mountains are the furniture.
Window light raking across charred grain. Tree shadows on timber. Pure texture.Angular Form, Material Contrast
The contrast between dark cladding and white ground is at its most graphic in winter.
Fresh snow compressing the tonal range. Standing seam and cedar sharp against white.
Tree shadow on standing seam ribs. This frame is about the light, not the building.
Two rooms, one view. The river in winter through black-framed glass.Framing Mount Currie
At twilight, interior light turns the glazing into a series of lanterns against the mountain.
Golden hour on Mount Currie. The house in shadow, the peak in direct light. Timing.
The painting holds its own against Mount Currie. Dark stone, warm oak, deliberate colour.
The dog refused to leave the frame. Sometimes the unplanned shot is the honest one.Timber, Stone, and Warm Light
A Classic Whistler Home, Renewed
The character of the original timber, feeling completely current.
Whitewashed fir, soft light, sheepskin. The warmth starts before you cross the threshold.
Zellige tile, blonde oak, black pendants. Colour without competition.
Skylight centred perfectly. Natural light falling straight down the millwork. Quiet precision.Suburban Scale, Refined Detail
Set high on an escarpment overlooking farmland and the coastal mountains.
Afternoon raking across herringbone marble. The Valley through the window, teal panelling anchoring the frame.
Transom light painting the wainscoting. Double-height entry, marble diamond floor. Shot at noon.
Afternoon sun catching brass and walnut. The faceted sink throwing light back at the panelling.Institutional Timber and Glass
Institutional design that feels warm without sacrificing rigour.
Street level. Columnar maples framing the entry. Civic scale that still feels human.
Cloud reflections on metal cladding. Almost abstract. The building as light study.
Motion blur through the timber corridor. One figure establishing the scale of everything above.Board-Formed Concrete and Rain
Flat coastal light reveals every ridge and imperfection.
Horizon line level with the floor plane. The Strait of Georgia as the fourth wall.
Thin steel columns, board-formed concrete, native plantings pushing in. Built to weather.
Dusk. Glass box glowing, steel silhouette, pink sky. Architecture and ocean on equal terms.Accessed Only by Water
The structure follows the natural clearing rather than imposing one.
Aerial over Howe Sound. The house is a single line in the canopy. Everything arrived by water.
The roofline appearing between old-growth trunks. You hear the ocean before you see the house.
Cedar ceiling, walnut table, forest in every window. The unposed moments tell the real story.Have a Project Coming Up?
Based in Squamish, working across British Columbia. If you have a project worth documenting, I'd like to hear about it.
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