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Blue hour along the glazed living volume, the lit room reading through the glass

Creative Partner

Continued work
between projects.

Photographs, the website, and the social accounts.

Creative Partner is a monthly agreement. By the second project, I already know the work, the people, and how the firm talks about a house.

The website is where the work lives. A finished house, a site visit, and a post each need a page someone can find. I build that site, and I keep it current. A website build is quoted on its own.

I photograph the finished house, a site visit, the work in progress, and a person on the job. When the social accounts are in the agreement, each post goes out with stories. Nothing is public until it is approved.

The month usually goes like this. A conversation, the visit, the photographs, the page and the feed, then search. Most site days are shared by the architect, the designer, and the trades on the project. Billed monthly.

  1. 01Completed projects
  2. 02Site visits
  3. 03Action shots
  4. 04Portraits

The sites

Where the work lives.

A finished house, a site visit, and a post all land here. Hover a screen to pause it. Each one opens in a new tab.

The photographs

The finished house, then the rest.

Oles Cove, Halfmoon Bay, is the completed project. Site visits, action shots, and portraits are the rest of what I photograph. A short film when the project calls for it.

Completed projects

One house. Oles Cove.

Halfmoon Bay. The finished project, as the photographs. The same frames become the page, the search result, and the post.

Looking down on the dark roof set into a stand of firs above the shoreline

Oles Cove · Halfmoon Bay

A woman reading by the window while stripes of sun cross the wall behind the stove

By the stove

Dark corrugated cladding under a wood soffit, a deck with a red umbrella above the ocean

The deck

Site visits

The same building, earlier

Site visits are dated with the agreement. I come back through the build. Framing, the ground, the envelope as it closes.

A rack of glass panes standing in an unfinished opening, trees beyond the frame

The glass, waiting in the opening

Action shots

The task, in frame

When a crew day is in the agreement, I photograph the work as it happens. The lift, the harness, the person on the beam.

Two workers on a mass timber frame, a panel hanging from the crane

On the job · the panel on the crane

A worker in a cap and hoodie at an open window on dark cladding, tools on the plank

At the window, on the job.

A worker cutting mass timber with a saw

Timber on the saw

Portraits

A face, on the job

Not a separate studio day. The person stays in the clothes they work in, in the place they build.

A builder in a hard hat and orange suspenders, trees behind him

On the job · a portrait

Johnstone Road · a short film

Search

A builder has to be found.

I write the site around the firm, the town, and the kind of house. A search should return the firm, and a project page for the house. For builders, I take one firm in a market.

Search

custom home builder

Sample Builders

samplebuilders.com

Custom homes. The firm and the work, written so a search can return them.

Shore house

samplebuilders.com/shore-house

A finished house on its own page, with the photographs.

A sample of the shape. Not a ranking, and not a client's traffic.

Social

Every post goes out with stories.

When the accounts are in the agreement, the post and the stories are made together. The stories run with the post. The post stays on the grid after the stories expire. These four are one example of each.

Completed projects

A living room seen from oak steps, sun across a grey sofa and a wood ceiling

Salt Spring Island. The finished house, on the account.

Site visits

Concrete steps under construction against the rock, wood formwork still in place

The steps, still in the formwork.

Action shots

A builder bent over a saw, cutting the edge of a timber panel

Cutting the panel.

Portraits

A builder in overalls with a tool belt, the water behind him

On the job, a portrait.

Stories

Stories for the finished house. Three frames, out the same day as that post.

Gravel drive curving through tall firs to the low dark house
Approach
The long entry elevation behind a gravel court, a red door at its centre
Entry
The house and its deck in evening light above the water, firs down the slope
Evening

The month

How a month goes.

A conversation, the visit, the photographs, the page and the post, then search.

01

Conversation

What is finishing, and what this month is for. Not a new introduction.

02

Site visit

When a visit is in, it is already dated, ahead of one-off sessions.

03

Photographs land

Typically within 5 to 10 business days. The same frames, used everywhere they belong.

04

The page, the post, the stories

The project page goes up. The post is approved, then it goes public, and the stories go with it.

05

Search

The page is what a search can find. What ran this month can be named.

The portal

One login. These are the screens.

A sample of the portal. You approve here, then I publish. The numbers are not a client's traffic, and they are not a forecast.

portal.mattanthonyphoto.com
Sample portal home. Two posts waiting for review. Not a live count.Sample website screen. Not a client's traffic.Sample social screen. Not a published result.Sample content calendar for November. Posts sit on the day, marked ready for review, approved, scheduled, or published. Nothing here is a live schedule.Sample approvals. To review is open, with Approve, Request Changes, and Decline. The other tabs are Approved, Scheduled, Posted, Changes requested, and Declined.
1 · To review 2 · Approved 3 · Scheduled 4 · Posted 5 · Changes requested 6 · Declined

Nothing is public until you say yes. A change comes back to you before it can be scheduled. A declined post stays off the grid. I flag a music track. You add it in the Instagram app. I load the month about four weeks ahead.

Onboarding

The first weeks are a setup, not a surprise.

This starts after the agreement is signed. I send a list before the call.

01

The list

I ask for what the firm already has. The logo, a short bio, and the projects that belong on the site. Gaps are fine. I will say what is still missing.

02

The call

One to two hours. No deck.

  • What the site has to do, and who it is for.
  • Which projects lead, and which stay off.
  • The accounts, if posts are part of the work.
  • Access that gets granted. The domain, when the site is ready to move. Not the passwords.
03

Keywords

The firm marks the phrases a person would type, in that place, and crosses out anything it does not want to be hired for.

the firmThe name the townThe place custom homesThe work a projectThe house

For a builder, I take one firm in a market.

04

First pages

The first pages wait for a yes. Nothing is public until it is approved. The posts, if they are in the work, follow the same list. Every post goes out with stories.

05

Media kit

One set of files. I assemble it from what is sent, and from the photographs.

  • Logo files.
  • A short bio, in the firm's words.
  • Photographs named by project.
  • A few sentences for each project. I will not invent materials, sizes, or who designed it.
06

Business documents

What the firm already uses to say who it is. The pages, and the posts if they are in the work, have to sound like the firm.

  • Value proposition.
  • Mission, values, and purpose.
  • How the firm stands apart from the firms it competes with.
  • Anything else used when explaining the firm to a client, an architect, or a designer.

If a piece only exists in conversation, it gets said on the call. I write it down, and it gets corrected. I will not invent a position I was not given.

The website looks fantastic, and the ongoing maintenance plan gives me peace of mind knowing everything is taken care of.

Marc Harvey · Balmoral Construction

Discovery call

Book a discovery call

The work above is how a month runs once I am with the firm. A discovery call is thirty minutes. I want to hear what is being built, when it finishes, and whether the site and the accounts are part of the work. If it is a fit, a proposal follows the same day.

Nothing open that works? Write to info@mattanthonyphoto.com or call 604.765.9270

The house at twilight through the firs, windows lit along the elevation

Contact

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© 2026 Matt Anthony Photography · Squamish, BC · All images © Matt Anthony

I acknowledge the privilege of living and working on the unceded territory of the Skwẋwú7mesh (Squamish) Nation.